A. Corso. (pp. 451–456)

Author

A. Corso ()

Keywords\n

Pages\n 451–456

Summary\n

This article focuses the reuse of styles of renowned statues in the vase painting of the 4th c. BC. In particular the spread of the iconographies of the Resting Satyr and of the Apollo Sauroctonus is considered. Finally the problem of how peculiar styles moved from the workshop of the sculptor to that of the vase painting is discussed.

References\n

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